by KLOSKA OVIDIU

Artwork Description

GIGANTIC HUGE PAINTING BY MASTER KLOSKA ANCESTRAL ONIRIC NIGHT WEEDING ETHERNAL LOVE PRIMORDIAL COUPLE

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MORE ARTWORKS ARE PRESENTED ON THE OFFICIAL WEBSITE http://www.kloskart.com Title: from " The Dew Collectors" series , SANCTUARY FOR HER DANCING LIKE A SACRED BIRD , signed may 2015 huge size acrylic painting on canvas / due the very large size will be sent rolled in a plastic tube for perfect protection and delivery canvas size: 105 x 150 cm (close to 42" x 55" inches) THIS IS A GREAT OPORTUNITY TO GRAB A VERY LARGE MASTERPIECE SIGNED BY MASTER KLOSKA ! "Dew Collectors" series "Beginning in July 2014, this series of pictorial compositions idea centers on ancestral couple, primarily with a She and a He a nearby oneiric almost devoid of bodily harm, in a space crespuscular somewhere boundary tangible universe. The compositions have a special status and are like cosmic dust permeated the beginning, which brings the deformed areas and volatile energy glimpses of a luminary early, fine movements of stellar particles seem to outline the only hint of movement. Pictorial dichotomous splits in cold intangible cosmic space around the couple and seem to wear body imanentelor dermis of the stars Lost eroded. The atmosphere is set in a time zero in weightlessness forgotten somewhere in nothingness untold. The achievement of the two and they bring no limit composition figurations, in presence unlikely his hand, searching to amfofial body, dressed in a kaleidoscopic color, betrays a subtle desire to close " Ovidiu Kloska "Kloska, seeking the road to Damascus Certainly, the art signed by Kloska is taking part into the creators major effort to detect and express the essences of human beings, just as it shaped by the all times. Fallen into the subject of the temporal, in a sub-solar space, the humanity find itself forced to twist its spirit, almost mutilate it, referencing to the crossed historical and moral times. The perpetual metamorphosis of the spirit produced visible traces, often even into the meat surface, at the human figure, where the artist Kloska searched and seacking to capture, through specific tools or effort, almost demiurge, kneading whole inner man, subconsciously placed beyond . Whether artistic expression occurs in stone, metal or on canvas, she plays, possibly, a certain portion of the mystery that lies in nuce, in the most hidden place of human beings, where the spirit - today as a mustard bean detached from the universal primary fire - is still flashing and keep alive the being state of human nature, spoiled by the original divine gesture of unique genesis. Undoubtedly, the human universe is as exciting to explore as the outside world as human beings, taking, however, urging the ancient Elders, who left at some point the investigation of the macrocosm in favor of the research of the microcosm typical to human being, so Kloska is taking this route of the ancients over the light of modern art, showing, following the impression that he left to us, as he is founding himself in a deep search of that THING of which many others turned to long time ago before him, respectively the Absolute detection. Artistic methods means no comment, they completely belong to the author, who seems to be stuck in a sustainable areas, by the very matter in which his artistic approach consists in stone,and also in metal. So is also added, the dimarch on canvas witch is transposing the same stihial trend, detected in the works that had as the base the stone, as it is finded molded by Other hands, namely of the Creator himself. The acquisition of divine design and the self try to remake a route to the being roots of the humanity - when, she was still finding in her lighter period - is representing a titanic effort for every artist; so, that's why Kloska himself, taking part at the same investigation, he is working a lot, reminding us of the sisific effort of the mythical character, the same of witch we should imagine happy, especially in the time that he was coming down from the top of the mountain to the base of it, for reassuming the eternally effort. The throes caught by the artist , on the faces fixed in stone, metal or on the canvas, are showing us the exact last stage of the human existence before the Apocalypse, the event announced not only by the Bible but also by many other great book of humanity, in different times and particular moments; placing us in a spiritual level, where is proper to insist on the idea of the extinction of the actual human kind - the extinction announced also by the Kloska's artworks - in the sens that is not about a biological disparition, on contrary, pointing to a radical metamorphisms of the world, at a specific moment, so as to have the possibility to reborn again complete, rounded,perfect, as at the beginnings, when it was saying, that it was traversing an absolute age, perfect in all respects, unaltered by further progress subject to time devorated consuming. Hope that will come a time when mankind will radically transform itself, is rendered by the Angels's world that crossing the creations of Ovidiu Kloska, a sensed world, based on the true believe of a superior existence to which human beings can tend to their path to Eternity. Kloska is an young artist, noted already in the so demanding world of the artists. He is continuing to seek the road to Damascus, but on witch we are confident, that one day, he will have the happiness to know it." Prof.dr.Fl.Agafitei - writter, indianistic expert

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