About The Artist

Dalene’s art took her into a career in graphic design and kept her there for half a lifetime, producing some designs most people would recognize on the supermarket shelves, but she did not neglected her fine art. In that time she worked in many media from traditional oil on canvas to the not-so-traditional on glaze porcelain in which she achieved many accolades including “Best On Show” in two consecutive annual national exhibitions and one 1st place in the advanced category of the national porcelain painting exhibition 2001. Dalene also achieved both a 5th and 6th category place awards in the American Art Awards 2015. Charcoal is a well-loved medium of hers, dominating her work for a while after she laid down her porcelain brushes and returned to her drawing and oil work which started her discovery of her artist flair as a child. Her artistic style is naturally fairly realistic but she has developed her own contemporary fingerprint through years of study and a strong desire to grow in her oil work. Her realism is evident still amid her more contemporary style, she has managed to develop a merging of the two in a way that is quite her own. Whatever the style, her ability to portray a sentiment, a movement, and expression or an emotion is evident in her collection of figurative and portrait painting. In more recent works Dalene has begun to explore more deeply the effects and placement of light and atmospheric influence. Her work has also begun to explore more philosophical concepts beyond the narrative. As a South African, the influence of the county’s racial history and tensions are beginning to show in her work. They appear to celebrate racial difference in an attempt to dispel preconceptions and fears. Dalene teaches fine art from her Durban studio and also online by way of webinars and Skype calls. Her facebook and YouTube channel, both entitled Epic Art, are extensions of her online Epic Art Academy. She has two daughters who both show artistic flair in vastly different areas from her own, and a husband who is a self confessed ‘non-artist’. “My approach to my art is born from a happy place and a desire to portray the beauty in people, who fascinate me, from personalities to unique structure and traits. I strive to portray the inner narrative of a subject rather than simply reproducing the features. After some contemplation it became clear to me that the inner narrative of the subject is by its very nature exclusive of the viewer and the conversation is an inner one, it therefore excludes the viewer from the narrative is a mildly voyeuristic way and so the lack of a direct gaze has developed in importance quite unconsciously. I like to imagine what the subject may be thinking and strive to bring that through in my depiction of the person. I strive to create a feeling of the subject being quite unconscious of, or at least, unaffected by, the viewers gaze. Light is very important to me as a painter, I am intrigued by the play of light either direct strong light or the lack of it, on the features of the subject. Each face has its own subtitles and skin qualities and exploring how the flesh plays with the light brings me enormous satisfaction. As a result of this my brush strokes are varied from one piece to the next, some being bold in an attempt to portray masculinity or dramatic emotion. Others are softer, more feminine, in an attempt to portray a moment of peace and serenity. Similarly my colours are exaggerated, either exceptionally cool out of direct warm light or strong transitions in direct light. I am often more satisfied when I get the feeling of a slight mystery behind the expression or movement of my subject. In recent years I have striven to work only from my own photographs or preferably from life. In my development as a portrait and figurative artist I did work from the photographs of a photographer with her permission but I am more fulfilled painting a subject I have captured entirely on my own, I therefore no longer do this. I feel the first hand experience of the subject I get from taking my own photographs a huge asset in attempting to capture the moment on canvas. I also find myself more and more using the source material as suggestion and embellishing it artistically to help portray what I feel is important as I have become more adventurous with my marks and colours over recent years. Ultimately I strive to portray that fleeting moment as a thought passes, and just when I feel I have it, I feel I have lost it and so the search for the fine balance between portrait and internal dialogue plays out in each of my portraits. I hope I will never quite acheive it.” Dalene can be contacted via the following channels: Ph: +27 (0)79 692 6764 email: dalene@dalenefm.com Website: http://epicartacademy.com http://dalenefm-art.com Facebook Epic Art Academy https://www.facebook.com/EpicArtAcademy/ YouTube https://www.youtube.com/channel/UC5-03DmZwAWbR-CmUjz8BMg or search Epic Art Academy