Culture of Simulation
Culture of Simulation

Lining: Chiasmus I
Lining: Chiasmus I

Lining: Chiasmus II
Lining: Chiasmus II

Lining: Chiasmus III
Lining: Chiasmus III

Grid Lines: Locating Ourselves in Space
Grid Lines: Locating Ourselves in Space

Views and Codes #1-33
Views and Codes #1-33

Ideas of Form
Ideas of Form

Ideas of Structure
Ideas of Structure

Pin-Fit
Pin-Fit

Ready-to-Wear
Ready-to-Wear

Masquerade
Masquerade

Views and Codes #16-24
Views and Codes #16-24

Ontologia
Ontologia

Inverses I
Inverses I

Inverses II
Inverses II

Views and Codes #37
Views and Codes #37

Views and Codes #38
Views and Codes #38

Variations on a Pattern
Variations on a Pattern

Views and Codes #39
Views and Codes #39

Illustrations for Cutting, Sewing and Altering
Illustrations for Cutting, Sewing and Altering

Production of the Self as the Thing Most Expected
Production of the Self as the Thing Most Expected

Mode of Reflexivity
Mode of Reflexivity

Flesh #6
Flesh #6

Views and Codes #39-47
Views and Codes #39-47

The Dance I
The Dance I

Self-portrait with a Camera
Self-portrait with a Camera

Casting Fairytales (after Velazquez)
Casting Fairytales (after Velazquez)

Casting Fairytales
Casting Fairytales

Casting Fairytales
Casting Fairytales

Casting Fairytales
Casting Fairytales

Casting Fairytales
Casting Fairytales

Casting Fairytales
Casting Fairytales

Casting Fairytales
Casting Fairytales

At the Ball
At the Ball

Three Graces
Three Graces

Luncheon at the Fountain (after Manet)
Luncheon at the Fountain (after Manet)

Down the Rabbit Hole
Down the Rabbit Hole

Basic Notions of Signification
Basic Notions of Signification

I Think I Must Have Changed Several Times Since Then
I Think I Must Have Changed Several Times Since Then

Paper Dolls
Paper Dolls

Blue Nude (after Picasso)
Blue Nude (after Picasso)

The Dance II
The Dance II