by RICHARD WALDRON

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Psalm 23

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Shortly after visiting Arles in February 2015, I realised just how great was Van Gogh, especially with his instinctive understanding of whirls and vortices in his later work brush-marks. I have been developing the use of brush strokes as used by Monet, Pissarro and Van Gogh and am pushing the technique still further, hoping to surpass the masters in time. These strokes are highly emotive and descriptive of mood and form. They also allow a type of pointillist mixing that allows the use of colour and tonal perspective described by Leonardo da Vinci in his notes.

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