Sobre el Artista
Michael Price
Studio address:
819 Riverside Drive 3rd floor, New York, NY 10032
Born: Stoke-on-Trent, England, 1951.
Biography
Since 2000 Permanent Residence in New York (U.S. citizen 2010)
1977-1999 Resident in Munich, Germany
1994-1995 6 month residence in Austin, Texas
1991-1992 Regular working visits to the Provence, France
1976-1977 Resident in Rotterdam, Holland
Education
1971-1974: London Central School of Art and Design, B.A. with honours (now Central St. Martins)
1969-1971: Stoke-on-Trent College of Art; Pre-degree Foundation Course, studied with the late Arthur Berry
2013: Studio interview by cdsavoia.com
link http://www.watchwetheartists.com/michael-price
2016: (estimated Summer 2016) Book titled, "Renaissance Mysteries, Vol. I, Natural Colour and Vol. II, Proportion and Composition" to be published by Page Publishing, NYC.
Exhibitions: One Person
Planned 2018: Rosalie "Roz" Steiner Art Gallery, Batavia, New York
2017: Walter Wickiser Gallery. Catalogue
2015: Walter Wickiser Gallery (Oct. 2015). Catalogue
2010: Alfa Art Gallery, New Brunswick, New Jersey.
2009: Walter Wickiser Gallery, New York. Catalogue
2005: Henry Gregg Gallery, Brooklyn, New York
FGS Gallery, Englewood, New Jersey
2003: David Findlay Galleries, New York
2002: Post Gallery, Houston, Texas
2000: Post Gallery, Houston, Texas
1998: Galerie Poller, Frankfurt am Main, Germany. Catalogue
1997: Post Gallery, Houston, Texas
1996: Post Gallery, Houston, Texas
1989: Galerie Poller, Frankfurt am Main, Germany
Galerie am Theaterplatz, Erlangen, Germany
1988: Galerie Friedrich, Cologne, Germany. Catalogue
1985: Galerie von Braunbehrens, Munich. Catalogue
Group and Museum (selection)
2015: "ArtExchange", College Art Association Conference, New York.
2014: Alfa Art Gallery, New Brunswick, New Jersey.
2013: Walter Wickiser Gallery, New York (four person show titled "Figure Variations", Catalogue)
2011: Alfa Art Gallery, New Brunswick, New Jersey
2010: Walter Wickiser Gallery, New York Catalogue
Henry Gregg Gallery, Brooklyn, New York
Alfa Art Gallery, New Brunswick, New Jersey Catalogue
2009: Toronto International Art Fair (Walter Wickiser Gallery)
2008: Walter Wickiser Gallery, New York (four person, “Just the Figure”)
Henry Gregg Gallery, New York
2005: Post Gallery, Houston, Texas, (four person)
2001: Organization of Independent Artists, New York (group)
1996: ‘Paros’, Paron, France. (3 painters & 1 sculptor) Catalogue
‘18th Hollfelder Sommeraustellung’, Bayreuth, Germany (group)
1993: ‘Six International Artists’, Montague Art Galleries Inc., New York
1989: Galerie Friedrich, Cologne, ‘Line-art’ (group)
1988: Galerie Friedrich, Cologne, (group)
1985: ‘Art Cologne’, Galerie von Braunbehrens
1984: ‘Kunst Salon’, Haus der Kunst (Museum of Modern Art), Munich Catalogue
Galerie von Braunbehrens, Munich (group)
1983: ‘Kunst Salon’, Haus der Kunst, Munich Catalogue (group)
Galerie von Braunbehrens, Munich (group)
1982 Galerie von Braunbehrens, Munich (group)
1981: ‘Trends 81’, Mall Galleries, London (group)
‘Drawing Show’, Loggia Gallery, London (group)
‘Kunst Salon’, Haus der Kunst, Munich Catalogue (group)
Galerie von Braunbehrens, Munich (group)
Publications:
Research on the preparation and application of natural and mineral pigments
2007: College Art Association Conference Abstracts 2007:
"The Contemporary Relevance of the Renaissance Palette" pp. 190-192.
2005: 1. "Bunte Götter, Die Farbigkeit antiker Skulptur" - Skulpturhalle Basel,
Switzerland. Exhibition of the recontruction of polychromatic Greek sculpture, 11th
Aug. - 20th Nov. 2005. Catalogue contribution titled:
'The preparation and application of mineral pigments', pp.256-259.
Dutch translation: Kleur! Bij Grieken en Etrusken, prepared for the Allard Pierson
Museum, Amsterdam.
2. Journal „Artwatch“ UK, No. 20, Summer 2005
‘Blue, bluer, blu-est’, pp. 30-34
2000: „Leonardo“; Journal of the International Society for the Arts, Sciences and
Technology, M.I.T. press.
Title: ‘A Renaissance of Colour, Particle Separation and Preparation of Azurite for
Use in Oil Painting. (Issue 33/4).
Collaboration on Mineral Pigment Research with Institutions and Companies
Since 2008: Doerner Institute, Munich, Germany
2005-2007: 1. Vienna University of Technology, Austria. Binding medium and natural resin
analysis with mineral pigments.
2. Golden Colors Inc. Production of a sample of historical mineral pigments for the
company display.
2003-2007: The Glyptothek, Munich. The preparation and application of mineral pigments with
Greek polychromatic sculptures.
2002-2004: MOMA scientific conservator, C. McGlinchey, New York:
a. Analysis of the purity of my newly developed method for the extraction of lazurite
from the semi precious rock lapis lazuli.
b. X-ray diffraction of prepared mineral pigments and extracted impurities
c. Advanced ageing tests of selected prepared and unprepared natural and mineral
pigments.
2001: Tests with drying oils, essential oils and varnishes on prepared natural and mineral
pigments.
Since 1998: Kremer Pigments, Aichstetten, Germany:
Adaptation of my methods of pigment preparation for the production of azurite. This was
extended to include malachite and cinnabar.
1998: 1. Dr. R. Treichler, Siemens AG, Munich, Germany:
SEM-imaging of azurite particles (for the „Leonardo“ publication).
2. Mr. H. Lezec, Micrion Corporation, Peabody, USA:
FIB-imaging of azurite particles (for the „Leonardo“ publication).
1989-1990: Dr. A. Burmester, Doerner-Institute, Munich, Germany:
Examination of evidence of applied geometrical methods revealed from the infra-red
spectrographic analysis of a Tintoretto painting, the Bamberg „Assumption of the
Virgin Mary“.
Lectures:
1. ‘A Lost World of Colour: The Preparation and Use of Natural and Mineral Pigments in Oil Painting’
2. The Geometry of Painting Formats.
2013: Walter Wickiser Gallery, New York, "Dürer's Melencolia I"
2010: Alfa Art Gallery, New Brunswick, New Jersey.
2009: Salgamundi Club, New York.
2007: 1. Colloquium: ‘A Renaissance of Colour’, Doerner Institute, Munich, Germany.
2. Chair Person: College Art Association 95th Annual Conference, NYC
“The Contemporary Relevance of the Renaissance Palette”
Other speakers invited by Michael Price included Michael Skalka,
Washington National Gallery; Dr. Georg Kremer, Kremer Pigments; Shuya Wei, Vienna
University of Technology, Austria.
2005: Henry Gregg Gallery, New York
2002: Luxun Academy of Fine Art, Shenyang, China
Houston Museum of Fine Art, Houston, Texas
2001: ‘Painter’s Forum’, New York. A quarterly symposium on archival materials and
techniques
1999: New York Art Academy, New York
Munich Academy of Art, Germany
1996: School of Fine Art, University of Texas, Austin, Texas
Teaching and Instruction:
Since 2003: Workshops in collaboration with Kremer Pigments, New York:
The properties and preparation of natural and mineral pigments and their application in
tempera, casein, natural resins and oil binding mediums.
2002: Oil painting department of the Luxun Academy of Fine Art, Shenyang, China.
llustrations, Writing and Poetry
1992: Illustrations published in the English Literary Journal ‘Iron’
1981-1982: Articles on art for the German magazine ‘Anglo American Spotlight’ (now
Spotlight).
1975: Poetry selected and read at the ‘City of Westminster (London) Literary Festival’.
Reviews (selection)
2005: Süddeutsche Zeitung Nr. 184, Munich, Germany
2002: Interview by PBS TV, Houston (broadcast May 2002)
1996: 'Région sénonaise', France
1988: 'Handelsblatt', Germany
1986: 'Stadtillustrierte Nürnberg, Furth, Erlangen', Germany
1985: 'Süddeutscher Zeitung' & 'Abend Zeitung', Munich
1983: 'Abend Zeitung', Munich, Germany
1982: 'Süddeutscher Zeitung', Germany